![]() “A friend of mine New York at the Salmagundi Club asked me why I didn’t paint watercolors. “You can say that a picture has a sense of place, but in a painting, a landscape, to me it’s the mood conveyed that counts.” ' a landscape painter, a painter of landscapes who also liked to hunt and fish' This, combined with his selection of only pictorial elements that contribute to an overall composition, characterizes his work. ![]() Pleissner had precision and clarity in the sense of light that comes through in many of his paintings. Pleissner's post-war subjects became concerned with urban life in France, Italy and Spain. During WWII, his work was based on the Normandy breakthrough. World War II brought about a major turning point in Pleissner's career. His first canvases were of the Grand Teton Mountains in Wyoming and he became best known for his watercolors of New England scenes. Pleissner’s development as an artist visually unfolds on the gallery walls from his early years in Brooklyn, summers in Wyoming, visits to Nova Scotia and Connecticut, and beginnings as a sporting artist. Pleissner’s contentment in his surroundings, interest in the world around him, and his satisfaction with his craft are evident in the masterful use of light and color that pervades his paintings. Pleissner was considered a Realist unimpeded by sentimentality. In 2010, Pleissner's 1938 oil, The Rapids, sold at auction for $345,000, a new record surpassing the previous mark of $220,000 set in 1996. Pleissner's works in both oil and watercolor are highly regarded, and his paintings consistently command a respectable price at auction. In the years since his death, Pleissner's work has become quite popular among collectors of American sporting art and other genres of tangible Americana. Pleissner was also the director and trustee of the Tiffany Foundation (see The Louis Comfort Tiffany Foundation). After the war, Pleissner continued to travel to Europe and Wyoming, painting city scenes, landscapes, and sporting subjects. In 1942, Pleissner accepted a commission from the United States Army as a war correspondent on inactive duty employed by Life magazine. I used to put out a few big washes and then run into and out of the huts where there was a fire and dry it and go out again.” But Pleissner recalled that even watercolors were difficult to use in the wet climate: “ I would go out to do these watercolors and it was so damn wet nothing would dry. The inclement, damp weather demanded that Pleissner work in watercolors because they dried faster than oil paints. ![]() ![]() ![]() He was commissioned as a captain in the United States Air Force at the start of World War II and stationed in the Aleutian Islands as a war artist. The National Academy of Design awarded him the 1938 Second Hallgarten Prize for South Pass City ( Wyoming Ghost Town). Throughout the 1930s, Pleissner worked mainly in oils and became known for his Western landscapes, and images of the Maritimes and New England. He attended the Art Students League of New York from 1922 to 1926, studying under Frank DuMond, and began teaching at the Pratt Institute soon after. Growing up, Pleissner spent several summers in Wyoming where he sketched from life and developed a lifelong love of the outdoors, fishing, and the western landscape. When he was eleven a friend gave him a paint box filled with a wide array of colors. His father was very interested in the arts, especially music, and his mother was an accomplished violinist who had studied in Germany. Pleissner was born on Apin Brooklyn, New York. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |